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I like how CASTLE and BONES have kept their respective series fresh after the lead characters became romantically involved, *and* married. I think it's a testament to the writers and supporting cast that there are other characters who hold the audience's interest that make both series about a community of people instead of just a duo. I also watch THE MENTALIST. While Simon Baker's portrayal will always be fascinating to watch, it's clear that Patrick Jane's journey was not mapped out past catching Red John. In some ways, it does feel real that the character is at a crossroads, not sure what the future holds. But, it also feels sad that Jane might just fade out of sight & say goodbye to just...do nothing. He deserves an upbeat ending with a little more promise & flourish after all he's gone thru; a complete 180 from where he started the series.

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Good episode, even with some obvious plot holes. First, Dr. Nieman was never going to operate on *herself.* Come on! Even the best surgeon can't do precision work if her head is under local anesthesia. No, she was probably taking measurements so the work could be done by another doctor in a different country. Kate was just going to be killed to cause Castle to suffer. Second, I hope they got the girl out of the trunk & charged her. Third, I want to know what Castle promised the guy in prison. Did he actually promise to kill Jerry? Maybe it's just me. But, something felt like it wasn't finished yet. All those clippings about Castle's disappearance in the house made it feel like 3XK might have been behind it.

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Just wanted to point out that Cora & Edith's plan will never work. If Master George grows up alongside little Marigold, thinking she's adopted, & ends up getting a crush on her, that would be a disaster. They're first cousins and need to know it!

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Evil? Hardly. Rewatch Season 1. Who leaked to the PRESS that Mary entertained a male suitor who died in the act? Edith wasn't even thinking that Mary could end up being questioned by police. She was just spiteful that Mary was the "popular" one; like a more self-pitying Jan Brady with a poison pen. I like Mary. She does her thing & isn't overly concerned with others opinions. The moment when Mary realized Edith would be pleased to see harm befall her, to see her ruined in public, was when she went from tolerating her to actively disliking her. They've never come back from that. And, IIRC, Mary has never done anything to Edith that is as remotely as bad as what Edith did. She has never tried to ruin Edith's reputation, or done anything to see the family be immersed in scandal because of what Edith did. Edith had zero qualms about putting the family in a scandal just because of her own jealousy. I do feel bad for Edith sometimes. But, mainly because she's such a self-pitying, overly sensitive mess. She's such a pushover in a family of strong personalities.

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Do what you want. But, you are comparing apples to oranges. Network television is fundamentally different than public tv or cable tv (BBC channel). The creators of TGW have NO control over when this show is aired. They don't control it's time slot, or even if it will return next year. All they do is structure & write one season's worth of good episodes, and hope the network will schedule them to air at optimal times. The network - CBS - signs commitments to air other programming (sports, special events, etc.) a year in advance. Sometimes 2 years. Since those events usually get higher ratings than regular programming, nothing will change. Viewers want to see the special events And, your criticism about actors staying with a British series for the duration is patently untrue. DOWNTON ABBEY (not a BBC series BTW) lost Dan Stevens & Jessica Findlay-Brown in the same situation that saw Josh Charles leave TGW. All of them chose not to renew their contracts. DR. WHO, probably the most popular BBC series currently airing in the U.S., is now on its 12th Doctor, and rotates its cast members every 3-4 years.

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Another good episode! Cookie needs to talk to Jamal about keeping secrets. They were all set to announce he was gay 2 episodes ago, and now he's doing a 180 & trying to mislead people about his relationship status. Not cool; especially when music insiders already know he's gay. The baby thing w/"Olivia" was hilarious. It threw me when I saw Raven Symone's face & imagined, for a moment, that Cliff & Claire Huxtable would be sharing Thanksgiving dinner w/Lucious & Cookie Lyon. I think Cookie & Claire would have a great time together! No, Vernon is not Andre's father. Cookie has zero chemistry w/Vernon; and it's pretty clear that she & Lucious loved each other a lot. I am getting a vibe though that Vernon will do an end-run around Andre & try to get the company for himself. Vernon literally knows where all of Lucious bodies are buried, and he knows how to make things go away (and reveal themselves). That cold look he gave Lucious when he asked something like, "Are we all good?" meant he finally understood that Lucious could kill him, too, and has no loyalty to anyone.

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I've been wondering what the heck Rhonda does. Does she work for Empire Enterprises' Publicity Dept, or for a fashion magazine?

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In a lot of ways, AGENT CARTER is for my girls what WONDER WOMAN was for me back in the 70's, minus the super-powers. They just love it and insist they watch it live. My teenager even puts it over & above SUPERNATURAL, which is saying something because they have some seriously good-looking men on that show. I like that Peggy doesn't have superpowers & has to rely on ALL of her abilities to make her way in the world. IMO, this show isn't being written for women. It's written for anyone who understands what it's like to be underestimated, feel unappreciated, be underemployed (and these days, that's a LOT of people) & out of their element while still trying to find meaning in their lives. Adults who enjoy the show will get that. Kids will recognize little history nuggets while enjoying the action & mysteries. Looking forward to the last two episodes!

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Oh, Mike. You have to stop thinking like that. Have Caucasians ever worried over how their race in general is portrayed in all aspects of entertainment? Oh, hell, no! Black people are PEOPLE first. PEOPLE in general enjoy well-written entertainment & good acting. When I watch EMPIRE, I don't see "black" people. I see a rich, dysfunctional family who happens to be black. But, they also have all the same hangups that the Ewings did on DALLAS. I see good acting, hilarious dialogue, and so many references to classic Greek tragedy, it's a literature lover's dream. Don't confuse traditional dramatic *archtypes* as being stereotypes. If Shakespeare's KING LEAR or HAMLET were filmed with a black cast, it would be considered "daring" and "modern." But, throw them into something inspired by the same, and billed as a primetime soap opera, and suddenly people get skittish thinking, "Well, isn't it racist to show blacks being shallow, ambitious, narcissistic, violent, petty, opportunistic, horny, etc." No - it's HUMAN.

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That was a fantastic episode. I hope we find out what is important about the Battle of Finow before this series ends. There are only 3 episodes left! I like how the federal agents have become more human with each passing episode. They all seemed like male chauvinist stereotypes at first. Now, we can see there's a reason they were hired for this unit. Captain Dooley is a very smart man who is getting answers and putting the right picture together without a lot of fancy gadgets and proof. Agent Thompson seems like an entitled blowhard. But, it's basically a role he plays to mask a lot of insecurity about his abilities. I would be fine if we don't find out who Peggy ends up marrying because she's a worthwhile, interesting character in her own right. Reducing her appeal to, "Who is she going to hook up with?" is boring.