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I really wanted Laurel and Oliver to re-ignite their romance in Season 1 coming back together as adults. I was then diappointed that the writers then depicted Laurel as this woman who, having grived for her dead boyfriend sees him alive and then decides that he must be punished for surviing by developing a relationship with his best friend (whilst still making a play for Oliver). I was glad when that was over and Oliver came along after and said he was still free and she lept into his arms...yay I thought let love bloom. But no, best friend dies, Laurel is suddenly overcome with grief/guilt and pushes Oliver away again. Writers then deliberately start sexing up Felicity and Oliver....why (did not really ship them as I was enjoying their friendship) until it was shoved up my nose. and, I liked them - two extremely attractive people dancing around each other....yummy. Then, bham....enter Sara. Enter toxic and extremely unhealthy triangle. Ugh. I was disconcerted to say the least. And then I saw Birds of Prey and had to admit I like the softness between Oliver and Sara. And now.....the writers want us to ship Laurel and Oliver again. Really????? Is the Felicity/Oliver angle now going to be put on hold.....for what purpose? Can Oliver not be allowed to have a mature relationship with any woman? Why could the writers have not kept Oliver and Felicity as friends and confidants?

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Rationalgal2

Another thing I like about the Jane character is his ethical worldview. He is basically a very decent person but we have seen him veer from that center line off into some not so decent behavior and also veering off into exceptionally generous and compassionate behavior. No other crime show I know of has such a focus on character. It's all about solving the crime of the week. With TM it's all about Jane's character and the crime of the week is only the platform for that to play out on. I absolutely love this series! So some episodes are not as good as others and some characters are not as attractive as others, but overall it's all about Patrick Jane. TM is basically a character study. And fascinating! I love it.

P.S. I really like Wylie. His joy in helping to solve crimes is so sweet and innocent. He's also cute. And funny. A bright spot in that dreary FBI office.

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love her

Rationalgal2

Another thing about Jane's character that I'm watching for is his self assured arrogance. He always thinks he is in control of every situation (partly why he is letting Lisbon get away, thinking she will always stay with him), yet when has he ever been in control except over his crime solving plans? He never ever had control of Red John. I don't think he has any control over the FBI - they are controlling him and letting him think otherwise. That's what we saw in Violets with its emphasis on who is controlling whom to push us into thinking about what is really going on with Jane. He may be in for some serious comeuppance.

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One's interest is piqued....

Olorunsegun-adewumi

Such a very good episode. I thought the conversation that Finch and Reese had in the house was the best discussion I've ever heard about for or against what should or shouldn't be done to defend a country. That being said, at best the congressman was a willing pawn. There are always more pawns. If the hour ever comes, let the Knight be sacrificed to kill the King, not some lowly pawn.

Rationalgal2

The entire TM story is about the Patrick Jane character and how he responds to life's events, good and bad. So that's what I pay most attention to. This episode showed he is still locked into the loss of his family. In Jane's conversation with Feinberg after the faked execution he mentioned that the "death" of Cruz was not as satisfying as Feinberg had thought. Jane's face said he was thinking of his killing of McCallister in the same way. Feinberg said the death didn't bring his wife back and Jane's face said no it doesn't and he was thinking of his own loss.

So here's the thing with a Jane-Lisbon relationship: Jane has never recovered from his loss and still wears his wedding ring. Lisbon dating Pike is making him think about what he is doing. He has been taking Lisbon for granted, assuming she will always be there as some kind of avatar of his wife - as close as he can manage. His hallucination in Devil's Cherry showed he knows he should move on but he ended up drinking belladonna tea, so he is not moving on. It's been over 2 years since he killed McC and he still hasn't moved on.

Lisbon knows this and knows he's not available as long as he wears that ring. Maybe she is dating Pike (and possibly conflicted because she is really attracted to him) to force Jane to face reality. In Fugue in Red she forced him to regain his memory, painful as that was, to make him face reality. The episodes are moving this relationship to a resolution and Jane will either face reality and his unacknowledged feelings for Lisbon or Lisbon will give up on him and go to D.C. with Pike.

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Tonight's episode on sexual assault was extremely well written. I was very impressed with the sensitivity, the political reality, and the variety of points of view included.

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New Girl had a chance to "build unique comedy out of the ways two very different people struggle to build a life together."

I thought we were going to see this with Mindy and Danny too but we got dealt the same card. It appears too difficult for writers to think out long term relationship opportunities and work hilarious moments into that.