Judd Nelson playing wounded bad boys will forever be my favorite thing, but I laughed at the ridiculousness of Beretti and Luscious and their respective henchmen having it out in broad daylight in the middle of an intersection. Lol! Taraji P Henson has ald always will be incredible, but she outdoes herself with her portrayal of Cookie. There is no side of Cookie I don't like, that includes drink and randy Cookie. I'm still laughing over that. The elevator scene was phenomenal. The bond between the brothers despite them always being pitted again on of another has always been a highlight, but Andre has always been left out is it. We've never really seen him bond like that with either brother, so them singing in the elevator and hugging one another, after be started spiraling and talking about how out casted he is was heartbreaking. His final spiral was even more heartbreaking and jarring and while bipolar is one of those disorders that is rarely portrayed accurately on tv, Trai gave a hell of a performance. Ummm, at some point instead of patting the Lyon cub on the head like she's a poodle, can someone please take a DNA test?
Yes. But systematic oppression, economics, and power is crucial to defining racism by any sociological and/or anthropological standard, which holds more credence then your standard (and biased to be perfectly honest) oxford definition. It's literally one of the first things the social sciences teach. Yes. I don't think any of that was in question. I mean we abolished slavery and segue wayed into segregation under the false pretenses of "separate but equal." Just like the bad things about this country don't outweigh the good in the country, the good things don't erase the bad either. It's our history. It's effects bleed into the present. It is what it is. Acknowledging that doesn't take anything away from the country. Downplaying, dismissing, or ignoring it's faults past and present doesn't mean they no longer exist or should be mentioned either. Yes the collective we that you mention (since every reader and commenter here isn't American) are all Americans. Someday, hopefully soon, we'll all be seen, acknowledged, and equally treated as such. :)
It was a solid episode. Courtney B Vance deserves an Emmy for his performance because it was out of this world. Incredible. He moved me. I just...damn. I feel like so many people are caught up on comparing it to specific cases and being pissed that it may have come across skewed that no one is considering that just because some cases make the news, it doesn't mean all of them have. It's a narrative like any other narrative. No one said it had to be just like the Brown case. For the handful of cases that actually make headlines that you don't agree with, there are many others that never made it and were every bit instances of racism and/or police brutality. This coming to light onscreen doesn't mean that this is "new". Even without recent cases, the discomfort and disparity between mostly minorities in urban areas and police officers has been an issue for centuries. And I say centuries because some of the original forms of police enforcement instilled in America (that our modern policing derived from) were actually created to capture runaway slaves. There is a deeply rooted unease that's happened for a long time, so this narrative didn't have to be about Mike Brown or Tamir Rice or Eric Garner etc. So why let your feelings for those specific cases affect you're ability to enjoy the incredible writing of this fictional one? Accusing the show of pandering because of the result of this fictional case is failing to acknowledge that things like this actually happen at all. That the possibility of it even happening is nonexistent. Which of course isn't true. I loved that Fitz and Jake, in relation to Olivia, took a backseat. Scandal never overdoes the race thing and it's great, because in not doing that they acknowledge that, yes, they have a black female lead, but she isn't JUST a black female. That's so important. That's representation in its finest form. A black woman's day doesn't revolve around her being just black. In portraying her as this successful, powerful, vulnerable, broken, beautiful, desirable woman that just happens to be black, it's showing that black people are human and relatable to all, not just other black people. However, race is a reality, it creeps into ones daily life in its own way, and there is a lot there that is never unpacked about Olivia Pope the black girl who lived a life of privilege who may not have experienced the same plight of those just across the highway. It comes up. It's visceral, that exchange between Marcus and Olivia. Because a black lead can't be held as just a black lead, but being black is part of her identity and that comes with its own set of experiences and sociocultural intricacies, and she can never be stripped of her blackness either. It can't saturate the show but it can't be washed out of it either, otherwise it lacks authenticity. I love that they knew that and they played with it, and they knew that to do that certain people had to keep away from her for it to work, and that was Fitz and Jake. Keeping them on the outskirts was necessary. Quinn as the white female could serve as "white ally" but only to a degree. Huck, as a fellow brown person given his race and his experiences with shady government and politics, served well with being the guy who didn't trust the story as it was spun, and there was an innate understanding he possessed that no one else (presently) at OPA could necessarily have. Even Olivia going to David was strategically written well. David Rosen, the Jewish man who she could air out her frustrations in addition to appealing to his own position as coming from an oppressed people. I can't put it into words or properly describe it, especially on mobile, but these little nuances were so on point. They were such honest moments for this episode and for acknowledging Olivia's black identity in a way that they rarely do. I loved it, because it was real. Hats off to the kid who played the cop too because damn he played that part. The scene where he finally exploded was incredibly well done. The dialogue was perfect. It covered everything. The sense of duty, the power struggle, but the subconscious racial bias and undertones too...it was. He was great. I love when Mellie and Fitz are on the same side. I also love when Cyrus looks like the disgruntled grandfather who got stuck with a bunch of moronic kids and he just can't deal anymore. Lol! I also love that Olivia's PTSD was present. I was afraid they'd gloss over it or not do it justice but it was there and I loved the subtlety.
Comment modified at March 07, 2015 07:00
"Black on black" crime is a misnomer. The fact that the phrase "black on black crime" even exists when no one ever refers to white on white or brown on brown or Asian on Asian speaks volumes. It's about proximity not race. Crime is more likely to happen in one's neighborhood against others in that neighborhood. That isn't unique to black people, but it's treated as such. Then there is a class disparity. Poor neighborhoods have higher crime rates, regardless of race. You look at a poor predominantly white neighborhood and it'll have a higher crime rate than a racially mixed middle/high class neighborhood near by. What constitutes white on white crime? Because if we're talking about the majority of the country, and we include every single time a white person kills another white person (including but not limited to mass killings and sprees) then you can't convince me that white people killing white people is somehow significantly less than black people killing other black people or brown people killing other brown people. I call bull on statistics then because it's not mathematically probable. It just looks nice on paper.
No, I think the point the above person is trying to make is , Racism is a social construct and systematic. It does not go both ways. What you are looking for is "prejudice". Ethnic minorities can be prejudice against the white majority but not racist because they don't have the power to systematically oppress the white majority. That's what racism actually is, but it's too often used interchangeably with "prejudice " and "discrimination" even though it isn't the same thing. It's similar with sexism. Even if every single woman banded together and decided they suddenly hate all men, they aren't in a position and wouldn't have th e power to oppress all men. It's fundamental misunderstandings like that which contribute to never truly resolving race relations in this country. That and THE fact that any decent conversation gets shut down before it ever really happens, because of defensiveness or objectivity and a number of other things.
Oh Sleepy Hollow, you break my heart. -Best Episode, the premiere. It has Crane actually working towards getting Abbie out. Crane working with Jenny, a great combo, great abbie and Crane moments, and John Cho. Also Mama was good. In which Lori Mills was more helpful in ten minutes of screen time than Katrina has ever been.- Just one worst? Definitely agree about the Demon Baby trope. Terrible. -Best Character. Abbie Mills managed to grow as a character even though she was terribly sidelined. -worst character. Without a doubt Katrina "Endless Whispers" Crane. There should be no questioning that. She was the weakest link in the first season and it just got progressively worse this season. There is no redeeming such a poorly written character. She's ineffective, useless, and a liability more than an asset.Most Underused. Frank Irving was grossly underused. As was Jenny.Best Ichabidism, probably playing Halo.Overall grade, a C.
-Her ability to adapt and change herself to appeal to her victims was interesting. -All of them sort of ran into each other because he was the equivalent of a crotchety old man or in dad mode most of the episode. He and Hawley bonding towards the end was cool.- You can't have the 2 witnesses fighting the apocalypse without allies and they've sidelined a handful of allies. No one expects them to be on every single episode but one of the last episodes Jenny was in she literally appeared to make out with Hawley. And the last time Frank was shown it was a ten second appearance to bring Henry and Ichabod together, even though an ongoing thing was that ichabod wasn't on Frank's visitor list. All I could think about was the 10 hours Orlando Jones spent on set wearing an orange jumpsuit and fooling around on Tumblr while he waited for his 10 second scene. Jenny not being active is contradictory of how they've written her so it defies canon and characterization. They've rescued Katrina 4 times so them not making an attempt to get Irving out seems difficult to accept. And Hawley. Hawley being tossed in wouldn't be as big of a problem if his contributions weren't doing exactly what Jenny does, because it leads the audience to always ask why we really need him at all if we have Jenny? He's Jenny with man parts. And because Jenny has been mostly nonexistent since the premiere Hawley isn't seen as an addition so much as a replacement. Then this love triangle BS is contrived and cliché and insulting and overdone. Why is this still a go to thing for female characters? Putting a guy in the mix to unnecessarily complicate things? - I actually was excited that for once she had things to do and was useful, and they still made her a damsel all throughout and had her flame our in the end. Again. I don't like Katrina. I don't dislike Katrina. I'm just not interested and I don't care. She has and still is the shows weakest point. It's like 5 seasons of the Bonnie Bennett situation on TVD all over again except it might even be worse. Stop telling us she's great and powerful and nagical. Show us. She's supposed to be a powerful witch and honestly Abbie has come across more powerful in witchcraft than her. I want her to be better written. It's painful and infuriating to watch at times. They got two female characters right so how do they continually screw her up? At this point I was fine with her going back to Abraham. Hell at this point Crane didn't seem to care either. - Is the sky blue? Is the grass green? Does Tom Mison have expressive eyebrows? Of course she will. It looks like a normal baby to her. She still thinks they can somehow save Hebry. This is a baby, in her mind this one stands a chance. Nature v Nurture. Dear God let this be the first step towards her joining the dark side and becoming evil. Then Maybe something good could come from the second mystical pregnancy in 2 seasons. And it'll give Katrina something to do.
I know! I'm already planning on watching it. How could I not? But of course it isn't the same as having the gang together. :(
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