Editorials

TV’s latest approach to storytelling has been asking viewers for patience despite little payoff, and it’s deeply impacting great shows.

ABC now has six scripted series waiting for midseason, which makes it fair to ask why the fall schedule looks so thin by comparison.

We love our crime teams, but how do they compare on a player-by-player basis? Check out how the crews of Elsbeth, High Potential, and Wild Cards stack up!

High Potential and Elsbeth prove that fashion is an intentional storytelling tool. Their ensembles aren’t “too much,” they’re the point.

High Potential Season 3 is heading for a huge reset, and I believe its new showrunners will deliver. Here’s why.

High Potential and RJ Decker prove ABC is refreshing the procedural format with more personality, fun, and a smarter balance than CBS.

The Morgan-Wagner romance arrived fast and cost High Potential’s sharpest storylines the space they needed.

Arthur Wagner’s drink with Willa Quinn on High Potential Season 2 Episode 16 wasn’t a coincidence — it was the Season 2 conspiracy finally showing its full hand.

Morgan Gillory might not be a perfect parent, but Season 2 Episode 13 made a pretty compelling case that she doesn’t need to be.

From Doc and High Potential to Brilliant Minds, supporting characters getting sidelined remains a frustration.