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With its producers lined up and Medellin ready to go into production, Vince chooses Billy Walsh for his director

Drama gets an offer from Brett Ratner for Rush Hour 3 and Ari finds a potential financial backer for Medellin if Vince can impress his wife.

Eric and Vince work to get Medellin off the ground by acquiring the rights to the script and Drama tries to avoid reviews.

Vince has another chance to star in Medellin, but only if Ari and producer Nick Rubenstein can make the deal happen in time.

When Drama finds out his the target of Paul Shore’s new Punk’d style show, he thinks he has a way to outsmart Pauly. Eric attempts to smooth out things between Vince and Amanda but finds out they already took care of business.

An angry Amanda makes Vince an interesting new offer and Babs makes Ari fire a bunch of inept employees.

Vince and Eric delay taking the period movie, angering Amanda. Meanwhile, Eric plans a romantic getaway with Sloan, but has to convince Vince he wants to go solo while Ari tries to get Lloyd to take one for the team with a gay TV writer.

It’s Vince’s birthday and it looks like a promising new year with Amanda as Vince’s new agent. She pushes him to do a period film and Eric and Vince have lunch with Ari.

Vince reconsiders Ari as his agent, while Ari desperately scrambles to save the Ramones project and his job.

Eric, Ari, and Bob pitch the Ramones film project to various studios and Ari and Bob have a power struggle. Turtles quests for a pair of limited edition shoes and Drama begins filming his pilot.