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The Rainmaker Season 1 Episode 4 Review: Not Nice, Jackie

Critic's Rating: 3.75 / 5.0
3.75

If The Rainmaker Season 1 Episode 3 was where the show finally found its teeth, The Rainmaker Season 1 Episode 4 is the one where it started gnashing them. 

We’re knee-deep in murder conspiracies, legal cover-ups, and Melvin Pritcher doing his best impression of a fairy-tale baddie who somehow manages to appear everywhere at once. 

He’s both terrifying and ridiculous, and the fact that he keeps slipping through cracks no normal person could is almost its own dark joke.

(Christopher Barr/USA Network)

Jackie’s Never-Ending Nightmare

Jackie has become the show’s perpetual victim, and honestly, it’s exhausting to watch. 

We open with flashbacks to her trying to do the right thing — bringing evidence to Keeley’s people, even going to a committee that shrugged her off — before cutting back to her current nightmare on Pritcher’s kitchen floor. 

He doses her with meds, apologizes for misjudging her weight, and reminisces about summer camp like she’s his buddy instead of his hostage. 

The man is clearly deranged, but the scariest part isn’t his razor or his syringes. It’s how casual he is about it all, like this is just another day for him.

(Christopher Barr/USA Network)

Jackie’s cries — “What truth?!” when he demands to know who she told about him — underline the tragedy of her role. She’s become the one person who both knows too much and isn’t believed.

 When she finally tells him she went to the tissue committee, it doesn’t even matter. They didn’t listen, and she’s still stuck in his grasp. 

By the end, he’s dragging her back through the woods while calling her “not nice” like a twisted schoolyard bully. 

It’s brutal, and it makes you wonder how much longer the show can keep torturing Jackie before it becomes exploitative.

(Christopher Barr/USA Network)

Rudy vs. Sarah: Lovers or Enemies?

Rudy and Sarah’s dynamic is becoming the most frustrating relationship on TV. 

One minute she’s sneaking him information (the tissue committee reveal), the next she’s pulling back and accusing him of being Brusier 2.0. She wants him to be a boyfriend, not a lawyer, but let’s be real — Rudy is barely managing to be either.

Their late-night bar scene had tension, sure, but it also highlighted how shaky their trust is. Sarah rattling off Jackie’s accomplishments like she’s reading from Leo’s playbook was particularly damning. 

If Jackie was so wonderful, why was she fired right after Donny Ray died? Sarah doesn’t have an answer — just a coffee she doesn’t even like and excuses that don’t add up.

(Christopher Barr/USA Network)

By the end, Sarah is outright siding with Tinley Britt, parroting the company line that Rudy should have settled. 

It’s hard to tell if she’s being manipulated, protecting herself, or if she’s merely become Leo’s plant. Either way, Rudy’s “apology if you got hurt” fell flat. 

They’re on opposite sides now, and unless the writers pull a rabbit out of a hat, it’s hard to imagine this romance surviving.

Bruiser, Deck, and the Case That Won’t Quit

While Rudy flails, Bruiser and Deck keep the machine running — in their own chaotic ways. 

(Christopher Barr/USA Network)

Deck is busy checking Taco Hut for bugs (because sure, why not), and Bruiser is casually admitting she slept with Nunley to grease the wheels for Pritcher’s hearing. 

That scene had the perfect Bruiser bite: “Relax. I needed it. Looks like you need it too.” She’s crass, blunt, and somehow still the smartest one in the room.

The tissue committee reveal was the real turning point. Jackie being the only nurse on a quality-control board that reviewed patient deaths means the cover-up is bigger than anyone thought. 

It’s not only about Pritcher’s crimes; it’s about an institution burying them. That discovery finally gives Rudy’s side something to latch onto in court — assuming they survive long enough to argue it.

(Christopher Barr/USA Network)

The Elevator Scene

The elevator scene between Rudy and Pritcher was one of the best moments of the episode — unsettling in a way the show hasn’t quite pulled off before. 

Trapped in that confined space, Rudy knows exactly who he’s standing next to: a man he believes has killed patients and maybe more. 

But instead of a violent outburst, Pritcher turns to him with narrowed eyes, pursed lips, and casually asks if Rudy killed his mother.

It’s such a bizarre, offhand question that Rudy can only stammer, “I’m just a law student,” like the words alone might keep him safe. What makes the whole exchange land is how civil it is on the surface. 

(Christopher Barr/USA Network)

Pritcher isn’t snarling or threatening; he’s trying to size up Rudy to figure out why this kid is interested in him, and if maybe he’s behind the fire that killed his mother. 

The result is a scene that’s more chilling than any of Pritcher’s jump-scare entrances, because it shows him as paranoid, suspicious, and unpredictable — the kind of man who might kill you just for making the wrong face.

The Jane Allen Factor

Jane Allen isn’t some random observer; she’s Tinley Britt’s own investigator, the woman in the sharp suit who’s been hovering on the edges since the beginning. 

We already saw how dangerous her job is when her partner wound up tied to a tree in the woods, trying to get Siri to call for help while Pritcher toyed with him.

(Christopher Barr/USA Network)

This week, Jane’s collision with Pritcher nearly cost her life. The moment he jammed a knife at her was shocking, but what really stuck was how confused he seemed by her presence. 

For a second, he looked less like a calculating killer and more like a paranoid animal, lashing out at anyone who got too close. 

By the time Jane staggered to the hospital covered in blood, it was clear: Tinley Britt isn’t just defending itself in court. Their own investigator is getting chewed up in the very mess they’re trying to contain.

Kelly and Cliff: Why Are We Still Here?

Once again, we’re forced to endure Kelly’s subplot, and once again, it doesn’t fit. 

Cliff taunting Rudy in the parking lot like a middle-school bully (“pretending he’s going to head butt him, then laughing”) is embarrassing. Worse, it cheapens the stakes of the real story.

(Christopher Barr/USA Network)

Kelly quietly thanking Rudy through a closed door should have been moving, but it just reminded me how unnecessary this whole thread feels. 

And then the tissue-box money disappears, Cliff is suddenly standing there with a crazy look on his face, and we’re back in Lifetime movie territory. 

This story stuck out in the film, and it sticks out here. Why are we still doing this? And why can’t I just let it go?

The Big Picture

By the end of the episode, Rudy’s team has a motion filed on the tissue committee, Jane Allen is bleeding out, Jackie is still in Pritcher’s clutches, Sarah has chosen Leo’s side, and Cliff is creeping around with stolen money. 

It’s a lot, maybe too much.

(Christopher Barr/USA Network)

Still, the pieces are moving faster now. We’re past the early fumbling and deep into a murder-conspiracy thriller that’s just unhinged enough to keep us watching. 

The show may be juggling too many storylines, but the stakes feel real. Pritcher isn’t just a malpractice case anymore; he’s a monster hiding in plain sight, and the system seems more interested in protecting him than stopping him.

Right Where It Needs to Be

The Rainmaker is officially off the rails, but that might be exactly where it needs to be. 

Rudy’s case has momentum, Bruiser’s playing her angles, Jackie’s survival is in constant question, and Pritcher has become one of TV’s most absurdly terrifying villains.

The show still stumbles with subplots like Kelly’s, and Sarah’s arc is teetering on frustrating, but Episode 4 proves one thing: this isn’t just a legal drama anymore. It’s a full-blown conspiracy thriller with a body count.

(Christopher Barr/USA Network)

What did you think of this episode? 

Are you buying Sarah’s excuses, or do you think she’s been a double agent for Leo all along? 

Did the elevator scene with Pritcher freak you out as much as it did me? 

And seriously — how many more times do we have to deal with Cliff before someone locks him up? 

Drop your thoughts below, and while you’re here, check out the rest of our reviews and editorials to see if something else catches your interest!

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Chris

Sunday 7th of September 2025

Rudy's relationship with Sarah is definitely doomed and I sense some romantic interest towards Kelly. This couldn't be more inappropriate since it seems to come from Rudy's savior complex, not a good start for any relationship!

Carissa Pavlica

Sunday 7th of September 2025

Kelly was his romantic interest in the movie. Personally, I wish they hadn't included her this early. They should have given his relationship with Sarah time to fester and rot before introducing Kelly. The whole hero complex thing AND Kelly being a victim of domestic violence, which they've already established with his mother, is just too on the nose.

Mister Gloo.

Sunday 7th of September 2025

@Chris,

I'll argue that Rudy and Sarah's relationship was always doomed as soon as Rudy would leave Tinley Brent (which, let's be honest, even if he didn't have the worst first day ever, sooner or later he was gonna piss off the wrong person and end up close to where he is now).

Sarah, if given a choice between what feels morally right and the prestige job is gonna take the latter while Rudy is likely to take the former.

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