Game of Thrones Review: Sons of Monarchy
On the Game of Thrones season two premiere last Sunday, Cersei famously said knowledge is not power. Power is power.
But, following what she learned about her son on "The Night Lands," this queen regent would have to admit: knowledge can certainly have the power to make one think: OMFG, what the heck have I created?!?
Of all the great scenes and developments on the second episode of season two - from Tyrion confronting Varys to Theon and his father stepping into the spotlight - the reaction of Cersei to the news that Joffrey actually ordered the execution of all Robert's bastards stands apart for me because it symbolized this week's theme:
Family. Or better yet, how effed up the families across Westeros can be.
We have Cersei finally coming to the realization that she's responsible for a monster, although it's unclear what she can possibly do about it. I doubt Joffrey would respond to a grounding. Maybe dock his allowance for a week? Nay, two weeks!
We have Theon and the introduction of his father, Lord Balon Greyjoy, a parent who would seemingly give Tywin Lannister a run for his strict, bitter money. But whereas Tywin is disappointed in almost all his offspring, and worried about the family's legacy, Balon is simply... hurt.
He puts on a strong front and he makes a reasonable point about family ties and traditions and loyalty - scoffing at Theon's clothing, mocking his appearance - but it's really his pride that's at stake here. And it will clearly result in Theon having to choose between his real family and his adopted family.
We have Daenerys, who once again doesn't receive a great deal of screen time, but who does receive a major blow to her Dothraki family when Ricardo's horse only returns with one body part of its rider. Who is out there? What, exactly, is Daenerys leading her troupe in to?
(Now seems like a good time to once again say I have NOT read the novels on which Game of Thrones is based. I am writing these season two reviews as someone merely following along each week on television. For the point of view of an expert in all things George R.R. Martin, read Carissa Pavlica's take on "The Night Lands".)
We have Tyrion, of course, who family connections aren't strong, yet have resulted in landing him smack dab in the middle of the action. But, unlike the honorable Ned Stark, it's action with which he's familiar: scheming, manipulating, making threats, striking deals. Remember when Ned asked Varys to whom he was loyal last season? He seemed legitimately baffled by this eunuch.
But not Tyrion. A couple questions for Shae were all Tyrion needed to hear in order to make it as clear as possible: I see what you're doing. And, trust me, I can do it, too. He later made that even more evident in his dealing with the City Watch Commander. I loved that scene. Quick, efficient, humorous. Classic Tyrion all around.
We have Stannis, who actually wanted to be a good family man. He tried to be, at least, for all of five seconds, until Melisandre played the "son" card. Legacy is also a major theme of GoT - as outlined previously with Tywin and Balon - and, while we don't know a great deal about Stannis still, we're now keenly aware of his desire to both rule and for his child to one day do the same.
But can Melisandre really be trusted?
We have Arya, who is leaving her family way behind on the road north, but who is making a new connection with Gendry, someone whose family tie (about which he has no idea) might soon get him killed. Something that also holds true for Arya, of course, giving these two an unfortunate bond. But also a funny one. Game of Thrones isn't exactly known for its humor, but Gendry seems like a more light-hearted lad than most. At least until he learns of his father's identity, perhaps.
And, finally, we have Jon Snow. That stubborn, courageous-to-a-fault Jon Snow. You could see how it pained him to turn down Sam's kind request that they take/save Gilly, but it seemed to be his only choice at the time. There's a bigger goal at stake here for the Night's Watch, although one can reasonably ask: if you can't protect an innocent young woman, who exactly are you fighting for?
Maybe for the sons who are getting... sacrificed by Craster? Handed over and turned into other creatures? It's times such as this cliffhanger when I'm glad I haven't read the books. I have no earthly idea what's going on beyond The Wall. But few, if any, father/son relationships are healthy on Game of Thrones. And on an episode that depicted just how deep family ties can cut, simply put, I can't wait to see what happens next.