Lili Reinhart Quotes
Betty: Kevin...
Kevin: They left me. I wanted to go, but they said that somebody had to stay behind to explain what happened.
Archie: And what did happen?
Kevin: The worthy ascended, of course.
Betty: Who did? Where’s my mom and Polly?
Kevin: Gone. Everyone is, and we’ll never see them again.
I am not a part of you. You are a part of me. I am the real Elizabeth Cooper. You are the illusion.
Dark Betty
Betty: Cheryl, The Farm is a front. Kevin ... Fangs ... Edgar took their kidneys. There’s a refrigerator filled to the brim with human organs. The Farm is an organ farm!
Cheryl: Are you trying to get shipped off to Shutter Island, you lunatic?
[Betty opens the cooler to reveal an organ]
Cheryl: Oh my God! Is that?
Betty: Yes! Cheryl, what if this is why he keeps adopting kids? For his human chop shop. Based on the price list in the infirmary, it’s lucrative as hell.
Jughead: There’s a lot of mythical stuff in this Gospel, Betty. The gargoyles were thought to be evil spirits that lived in the clouds, preying on people. So, The Gryphon Queen turned them into stone, they fell from the kingdom and shattered when they hit the earth.
Betty: Jug, all this lore builds up The Gargoyle King to be some kind of supernatural creature, but this guy is just a serial killer. Just like my dad. The Black Hood was flesh and blood, and so is The Gargoyle King.
[Betty gets up from her seat]
Betty: Which means ... that he can die.
[Betty removes Hal’s photo from the evidence wall]
Betty: It was a setup, Jug. The Gospel that we found, the proclamation ... it was all to get me alone with my dad again.
Jughead: I can’t believe none of us saw it coming: the return of The Black Hood. Now we have two serial killers running around.
Betty: Possibly working together.
FP: And both of them outsmarting us.
Betty: Ms. Weiss. What is it? What did you find?
Ms. Weiss: Betty, I followed your paper trail. You were right. Evelyn is much older than she appears ... 26, to be exact.
[Ms. Weiss hands Betty a piece of paper]
Ms. Weiss: I also found this. Evelyn is Edgar Evernever’s wife, not daughter.
Evelyn: We have copies of those tapes, Betty. And copies of those copies.
[Betty walks to Evelyn and presses her to a locker]
Betty: Let me make something very clear. You and your dad may have brainwashed my mom, but I see right through your enlightened Farm-y c***. So, stop messing with me, stop messing with my family, and stop messing with my friends. Better yet, don’t even think about coming near me and my mom ever again.
[Evelyn tries to break free, but Betty pushes her back and presses her arm to Evelyn’s neck]
Betty: Because if you do, Evelyn, I will kill you. And if you don’t believe me, ask around. People will tell you what I’m capable of.
[Betty walks away, Evelyn looks scared]
Betty: The past is part of who you are. You’re Alice Cooper! You bought a house on Elm Street. You painted our door red.
Alice: I lived with a murderer in that house!
Betty: You raised me and Polly in it too! Bad things happen, but you can’t get rid of your past because then you’d lose the good parts too.
Alice: There’s been so much pain.
Betty: I know, I know. But, that’s what makes us stronger. Edgar doesn’t see that.
Betty: Arch, are you and Josie dating?
Archie: Well, I mean…
Josie: Uhh…
Reggie: Did you know about this?
Veronica: What? No, I had no idea.
Reggie: The fact that your ex boo has a new girlfriend has nothing to do with you suddenly being all in with me?
Evelyn: Veronica, do you have something to share?
Veronica: I just found out that my parents are separating. My family is unconventional, to say the least, but I always thought no matter they’d stay together.
[Betty moves to comfort Veronica]
Evelyn: And that is what in the theater we call a “breakthrough.”
Betty: I know what you’re up to.
Evelyn: Lowering Sweet Pea’s solo?
Betty: Cute. This entire musical is just one big recruitment drive for you, isn’t it?
Evelyn: I’m sorry, I don’t follow.
Betty: The Farm is sponsoring the play. You strong-armed your way into co-directing, your warm up sermons, exercising trauma through art … screams cult recruitment!
[Evelyn places her hand on Betty’s hand. Betty glares at her]
Evelyn: Betty, dissect these trust issues.
[Evelyn pulls her hand back]
Evelyn: The Farm is producing and I’m co-directing for one simple reason: to have BIG FUN.
Kevin: Betty, last night was scary and fun ... cathartic. It felt euphoric like nothing I’ve ever felt.
Betty: That’s your point of view. I think my readers and your dad will have a different one.
Evelyn: You’re not publishing that article, Betty.
Betty: No?
Evelyn: Tell her why Kevin.
Kevin: If you do, we’ll tell everyone about the shady man your mom killed in the kitchen, and how you and Jughead dumped his car in Swedlow Swamp. And how Mr. Jones dissolved his body with lye in the woods.
Evelyn: Remember Betty, thanks to your mom, everyone at The Farm knows about your dirty secrets.
[Evelyn and Kevin leave. Betty slams her laptop shut]
Alice: First off, I’d like to say this is a wonderful place to raise a family. Many a fort were built by my two girls in this very room.
Betty: And bonus, it’s also where my serial killer father showed us creepy snuff films.
Alice: [She laughs] Elizabeth! Shouldn’t you be at school?
[Alice changes topics]
Alice: We have wonderful schools in this district. Oh, I see that you eying the fireplace, which is original to this house.
Betty: Yes, which comes with accessories, like the shovel, which my mother used to knock out my father, the notorious serial killer, “The Black Hood.”
Alice: It’s true, you can Google it. But make sure you look up “Alice Cooper” and not “Alice Smith.” It’s all there. Or try “Murder House on Elm Street.” That’s this house.
