American Idol fans are familiar with Simon, Randy and Paula.
But what about Rickey Minor? As the show's music director, Minor made a major change in the show when he took over in 2005, ditching the karaoke-style canned tunes in favor of a live band. Here's an Associated Press interview with him:
Minor: The ability to change on a dime is priceless. You can't do that (on tape). And the credibility. We have people like Chris Daughtry who could have never come on this show and been impactful doing rock. It's karaoke. Still some of the kids sound karaoke, but at least with the live band, it gives them what the top professionals in the world not only expect but get when they work with me. They're getting what Stevie Wonder gets. They're getting what Whitney and Beyonce get. This is what Aretha Franklin sings to. It's like a high school basketball team getting Phil Jackson to coach them, and Michael Jordan and Kobe Bryant are all on your team.
AP: How does working on American Idol compare to the Grammys?
Minor: Working on Idol, we have the kids and the experience varies. Some are musicians, like Taylor Hicks had his own band already, so he had experience working with a band. Kellie Pickler had never sang with a band in her life. Carrie Underwood lived on a farm, so she just sang at home walking around with the cows. As far as the musicians, I have a core rhythm section and I change the strings and horns every week, just to spread the work around and let other musicians experience the show.
Having that kind of energy around you is great and hopefully it's contagious to the kids. The pros get the same thing. So (I) get people like Alicia Keys and Christina Aguilera on top of their game. I can go on the awards shows with them and they want to go on with me because they know that I'm going to raise the level. They want to bring in some heavy hitters, and I'll bring in the best arrangers, the best musicians that are available.
AP: What is it about Idol that connects with so many people?
Minor: It's taking an average, ordinary person and changing the course of their life. It shows that whatever you want out of your life, you can actually do it. People become entrenched in the stories and they're pulling for these people â€” it's personal now, it's not even about the singing. And it's one of the few shows on television that the whole family can sit and watch. The grandmothers love it because Tony Bennett is going to be on the show or they're going to sing Moon River. So it sparks conversation with the family.
AP: What's on your iPod?
Minor: Everything that I work on. In my car I listen to satellite and I listen to pretty much jazz because I'm a jazz head. I'm a jazzer. It's the thing I love because there are no boundaries. You can play one note a million times and approach it differently every time, and no two solos are the same. It's cerebral for me yet I can enjoy it. People send me demos but I don't listen to them. There's only so much you can listen to. It's like smelling perfume: how much can you smell before you're numb?
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